Category Archives: Painting

Andrei Cadere – founder of the conceptual art

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Andrei Cadere is one of the  conceptual art’s founders and also one of the most important protagonists of the radical conceptual art. He is also one of the artists whose reputation, quotation and influence have  dramatically increased in the last two decades.

Andrei Cadere was born in 1934 Warsaw, Poland and died in 1978 in Paris. And France is actually the place where he become famous. That is why not many people  know that Andrei Cadere has actually Romanian origins, his father being a Romanian diplomat in Poland.

He started his artistic activity in Romania, as self-taught painter and he was also sometimes picture as model for Corneliu Baba. He was also experimenting in underground shows all sorts of techniques, from surrealism to optical art. We can easily imagine that Romania in that period, a communist era, was not a  favorable  place to art in general, the less to conceptual art. In 1967, at 33 years, Andrei Cadere left Romania, continuing his work in France.

Then, in 1970 he gave up painting on canvas, instead he began the painting on bois. He concentrates his work only on one aspect, Barres de bois rond (Round Wooden Bars) that became a brand just like any other commercial brand. These wooden bars were “sold” along with a tag line that mimics the cash receipts from the store. In the conservatory artistic environment of years 70’ his artistic step was really courageous.

His Round Wooden Bar is a long pole made of colored wooden cylindrical units and each stick contained one anomaly into the system of arranging the units. His idea “peinture sans fin” (“infinite painting”) reminds us of course of the “infinite column” of Constantin Brancusi. His bar with repeated elements was so a metonymy for the idea of expanding infinitely the limits of art. The wood was manually carved and dented, so no one of the units is perfectly cylindrical. Andrei Cadere’s message was to value the things hand-made in his trying to oppose to the uniformity dictated by the industrial data.

Being a marginalized artist in his native country, Andrei Cadere was an outsider in France also. He created a performance that claimed radical changes in the order of the Parisian artistic movements.

He brought the idea of art everywhere, not only in galleries, he took his wooden stick with him all over:  the street, the bar, any room or space became a place of exhibition; actually, he exhibited his art everywhere.

Andrei Cadere brought his rounded wooden bar at his artists friends exhibitions, becoming so one of the exhibitors. He introduced his wooden bar also into the openings where he wasn’t invited, somehow he managed always to infiltrates his bar becoming a “danger” for art museums and galleries. Sometimes he added a cheeky announcement to galleries that he and his bar will be attending the opening. His benign crime was the “scream” against uniformity, lows, rules … his form of fight for freedom.

“My art is the situation of my work in the world. It is critical of power. That is what I call the political in my work.” Andrei Cadere

photo : frieze.com, 9am.ro, produsin.ro, criticatac.ro

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Serban Savu – Just Intro

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figurative painter

the subject: the daily existance of contemporary Romanian society

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born: 1978 Sighisoara, Romania

1996 – University of Art and Design, Cluj Napoca, Romania

2002 – “Nicolae Iorga” postgraduate research grant, Venice, Italy

International Exhibitions

2009: The Edge of the Empire, David Nolan Gallery, New York (solo)

2008: Size Matters: XS – Recent Small-Scale Painting, Knoxville Museum of Art, Knoxville, TN; Berlin Show, Plan B Gallery, Berlin, Germany; Closer Still, Mihai Nicodim Gallery, Los Angeles; Days Become Nights, Galerie Hussenot, Paris

2007: Harvest, Kontainer Gallery, Los Angeles (solo); f a projects, London (solo)

2006: The New Man,  Mie Lefever Gallery, Gent, Belgium (solo); Please Drive Slowly Through Our World, Kontainer Gallery, Los Angeles; Cluj Connection, Haunch of Venison Gallery, Zurich

2004: Vietato l’ingresso ai non addetti ai lavori, Cube Gallery, Venice, Italy (solo); Ichtyos, Spazio Arte Pisanello, Verona, Italy (solo)

2003: Energia, Centrale Idroelettrica di Nove, Vittorio Veneto, Italy

2002: Romanian Cultural Centre, Paris

photo: nicodimgallery.com, plan-b.ro

Angela Tomaselli – Just Intro

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contemporary Romanian painter

born November 5, 1943 in Brezoi, Valcea, Romania

1961-1967 – “Nicolae Grigorescu” Institute of Fine Arts, Bucharest

International exhibitions: Italy (Roma), Germany (Koblenz, Berlin), Belgium (Bruxelles, Hane), France (Paris), Spain (Madrid), Sweden (Stockholm)

www.angelatomaselli.ro

Stefan Caltia – Just Intro

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contemporary Romanian painter

born May 15, 1942 in Brasov, Romania

Arts and Music high school in Timişoara (Julius Podlipny as a teacher)

Nicolae Grigorescu Institute of Fine Arts, Bucharest (Corneliu Baba as a teacher)

International exhibitions in Norway, Switzerland, the Netherlands, Denmark, Germany, Unite States, Israel, Sweden

professor and chancellor at the National University of Fine Arts, Bucharest

his works have been acquired by: Norwegian Museum of Contemporary Art, Oslo, Norway; Museum of Fantastic Arts in Gruyère, Switzerland

photo: blogspot.com, phpnet.us, musetouch.net

“The Scream” by Sebastian Cosor

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I just love this Sebastian Cosor’s idea!

Edward Munch meeting Pink Floyd in the animated interpretation of Sebastian Cosor.

Two prizes at Anim’est.

A Media Pro Magic / ProTv Romania production.

“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood-red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”

Edward Munch, 1893.

Romanian Young Artists – International Exhibition (2)

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The project Mosaiken 5 – Betahaus Berlin (2009)
with Otilia Cadar, Ioana Ursa, Florin Pantilimon, Iulia Morcov, Delia Orman
Otilia Cadar
Ioana Ursa
Florin Pantilimon
Iulia Morcov
Delia Orman
“Mosaiken means 5 distinct artistic directions but still united through the same conceptual instrumentality like intimacy, personal histories, symbols, critique of spirituality and sin.
Mosaiken talks about the mirage capacity of reality , about the beauty and resorts of fantastic realism, in the context of Romanian contemporary art.

Each artist exhibits a mosaic of works creating a personal world. There are therefore five segments of mosaics. The subjects are distinctive and representative to each one of them.”

mosaiken5.blogspot.com